Mob

Meeting the mob crew (an inspiration) …

Goodfellas is almost out of my system, but I couldn’t resist the following, based on this scene and after reading Nicholas Pileggi’s Wise Guy:

We were wise guys, yes, but gods among men otherwise. It all started when I met Jimmy “The Irishman” O’Houlihan, one of the best hijackers in Queens, who took me under his wing when I was a kid.

“You ever rat me out and I’ll cut your throat from ear to ear,” Jimmy told me when he shook my 10-year-old hand. “Now, drive that semi-truck of stolen cigarettes to Sheepshead Bay so we can unload them.”

“I can’t drive,” I said. “My feet don’t even reach the brakes.”

“Fuckin’ mutt,” Jimmy said in the most endearing way possible. “Let me find some blocks to tie to the brake and gas pedals.”

That’s how it started. A 10-year-old boy steering a multi-ton death machine across the city. Jimmy would’ve been so proud of me had a rival crew not hijacked me and stolen the cigarettes.

Jimmy found out who did it, whacked ’em, and recovered the cigarettes.

“Next time I’ll give you a gun,” Jimmy said. “Now, go inside and watch Sesame Street.”

I was the toughest kid in the mob daycare center. The other kids’ parents gave them extra lunch money so they could buy something to eat after I shook them down. I always kicked some dough back up to Jimmy. The other families knew who I was with and never said a word.

I made book on who’d win the spelling bee, and would beat up anyone who wouldn’t misspell ‘dog’ when I told them to. I organized Uno games, and God help the kid who tried marking the Wild cards. The daycare administrator once asked Joe “The Piano Player” Moscone why all ten of his fingers were broken. He kept his mouth shut and never played Bach the same way again.

Our Monopoly games involved real money. I forced the players to pay protection on their houses and hotels. And if they didn’t, they’d get melted green and red blobs on Boardwalk and Park Place. Anyone who went directly to jail got a black eye for being sloppy.

But those were the guys I grew up with. When we became old enough to drink, which was 18 back then, we met at Paul “the Arsonist” Giglione’s new pub after his old one burned down.

There was Frankie “the Wop” Bugliati, Vinny “the Daigo” Vincense, and Bobby “the Dignified Italian” Pucinni who despised Frankie’s and Vinny’s nicknames.

Tommy “the Snitch” Genovese was a regular until recently. I have no idea why he suddenly disappeared.

Haruki “The Blowfish Poisoner” Ishigawa sought to establish the Yakuza in Queens, but he was the only Japanese gangster in town, so he hung with us. Marco “the Insult Master” Francesa once called Ishigawa “the nipster.” I thought it was kinda lazy, but Ishi took it in stride, chuckled, and asked Marco if he’d ever tried fugu and if he would like to. I’m not sure if Marco enjoyed it. I haven’t had the chance to ask him because he’s been in the hospital for six months.

I don’t think I ever paid for a drink in my life. Paul “Pope Beneficent” Gagliardi took care of me. I always made it a point to go to church for him. Then I’d meet my mistress right afterward at the track.

Nobody ever walked up behind Billy “the Paranoid Schizophrenic” Batty when he was sitting at the bar. The last guy who tapped him on the shoulder ended up with his face chewed off while Billy screamed in between chomps, “The voices! Why are the bunny rabbits so loud!” Yeah, we avoided Billy at all costs.

We always busted “Fat” Andy Ciccio’s balls because he was morbidly obese and practically sweated butter. Then he went and lost 300 pounds, and we started calling him Andy “the Bulimic who Ruined His Teeth” Ciccio. I liked “Fat” Andy better.

We ate chicken parmesan until buttons popped off our shirts and teased the old-school capo Vito “the Wordsmith” Bossonaro, who sipped anisette while doing his crossword puzzle. His days of pounding whiskey ended when he broke too many wooden barrels. We bought him a punching bag soon after.

It was the mafia’s golden age, before the bad times, before mob boss Anthony “the Neocon” Porchetta started a war against the Toscano Crime Family because its boss, Luciano, didn’t pay his Monopoly protection money to me on time. The thing is, he did. I was hungover and forgot to give it to Anthony.

Hey, wait, you’re not recording any of this, are you?

Finally watched (rather, endured) The Irishman

I’m six years late to the party. Still, I set aside a massive chunk of time (not a Ken Burns documentary-length chunk that requires you to bathe when you’re done watching) and absorbed The Irishman, a mobster epic starring Robert De Niro, Joe Pesci, and Al Pacino, and directed by Martin Scorsese.

Gee, a mob movie involving De Niro with Scorsese directing it. I wonder if De Niro will constantly spew the F-word while shooting people in the face?

I recently rewatched Goodfellas and Casino, both 1990s classics involving most of the same players. Casino doesn’t get as much praise, but it’s a solid adaptation of Nicholas Pileggi’s true-crime book by the same name (the same way Goodfellas faithfully followed Pileggi’s Wise Guy).

I’ve read no other reviews of The Irishman. I had no idea who Frank Sheeran (an Irish hitman sans the brogue because De Niro would sound absurd trying one) was. Spoiler alert: He kills Jimmy Hoffa. At least he does in the flick. Whether that happened in real life, we’ll never know. Scorsese based the film on a true-crime book called I Hear You Paint Houses by Charles Brandt. Painting houses is a pleasant euphemism for murdering people for money.

The film follows Sheeran’s growth from a working-stiff truck driver to befriending Russell Bufalino, the head of the Scranton Mob. That’s right, Scranton, Pa., had a mob boss. I guess there’s hope for Morristown, N.J. Pretty soon, Sheeran proves his worth as a tough-guy murderer who also befriends Jimmy Hoffa, only to betray him out of loyalty to the mob.

Everybody’s horrible in The Irishman. It’s hard to form attachments to anyone because they’re all scumbags, Hoffa included. And let’s face it, three hours plus of Di Nero dropping the F-bomb and shooting people in the face gets a bit tiresome after a while. He’s sort of a slower version of his Jimmy Conway character from Goodfellas. Been there, done that.

Pesci surprised me the most because, for once, he wasn’t running around screaming F-bombs and murdering people like he did in Goodfellas and Casino. He plays Bufalino, a reserved and respected mob boss, kind of like Paul Sorvino’s character in Goodfellas, but a lot older, slimmer, and shorter. All that was missing from the cast was the late, great Frank Vincent, who portrayed the doomed Billy Batts (Now, go home and get your f***ing shinebox!) in Goodfellas, and who had a part in Casino.

Pacino’s Hoffa too closely mirrors his portrayals of Frank Slade (Scent of a Woman), Big Boy Caprice (Dick Tracy), and Mayor John Pappas (City Hall). I gotta hand it to Pacino, he’s excellent at shouting and waving his arms while exasperated. Hat tip to actor/comedian Kevin Pollak, who 30 years ago described Scent of a Woman as a two-hour movie about a blind Foghorn Leghorn.

There are a few movies out there that you watch until the end whenever you happen upon them while working the remote. Jaws and Goodfellas come to mind. The Irishman? To quote a line from the movie, it is what it is. And you’ll likely keep working the remote.

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